{"product_id":"valenti-the-scarlatti-sonatas-for-harpsichord-pabx018","title":"VALENTI The Scarlatti Sonatas for Harpsichord - PABX018","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eSCARLATTI \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eHarpsichord Sonatas, Vols. 1 - 11\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"color: #000000\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1951-55\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eFernando Valenti, \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eharpsichord\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PAKM010.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand note:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 1 (1951) - PAKM010\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 1\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 2 (1951) - PAKM011\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 2\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 3 (1951) - PAKM012\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 3\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 4 (1952) - PAKM014\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 4\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 5 (1952) - PAKM017\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 5\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 6 (1952) - PAKM018\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 6\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 7 (1953) - PAKM020\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 7\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 8 (1954) - PAKM022\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 8\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 9 (1955) - PAKM023\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 9\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 10 (1955) - PAKM026\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 10\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 11 (1955) - PAKM027\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eValenti's monumental Scarlatti series, Vol. 11\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eExcellent transfers for Pristine by Peter Harrison\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp align=\"left\"\u003eDomenico Scarlatti's\ncanon of 555 keyboard sonatas is one of the great collections of\nclassical music, and one that we have already visited with the Scarlatti\nSociety recordings of the 1930's by Wanda Landowska (PAKM004).\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn\n1951 Fernando Valenti and the Westminster Recording Company of New York\nbegan work on an ambitious project, to record the entire set for the\nnewly emergent long-playing record. Although the project ultimately ran\nto about two dozen records, alas it was never completed, with only about\nhalf of the sonatas making it onto LP. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eHere\nwe present volume one, as originally released though with the newer\nKirkpatrick numbering system also noted - Ralph Kirkpatrick had earlier\nencouraged Valenti to study the harpsichord, but at the time of this\nrecording had yet to finish his complete listing of Domenico Scarlatti's\nmusic, which was to come with his critical edition of 1953.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOf Valenti, his obituary in National Review noted: \"\"Valenti\nwas to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel\nwas this century's greatest interpreter of Beethoven, so Valenti was our\ntime's definitive exponent of Scarlatti.\" So said Thomas Wendel,\nprofessor of history, San Jose State. And Tom Wendel went on to say, on\nhearing that Fernando Valenti had died in a taxicab en route from\nKennedy Airport to his sister's house in New Jersey, \"Valenti's\npersonality mirrored Scarlatti's music: humorous, versatile, mercurial,\njocular; and at base, profound.\"\"\u003c\/p\u003e\n\u003cp align=\"left\"\u003eValenti\nhad achieved a number of 'firsts' by the time of this recording (made\nwhen still in his twenties) - the first harpsichordist to have recorded a\nfilm soundtrack, the first to have appeared on television and the first\nto appear in a Broadway show. Many critics feel that these first mono\nrecordings for Westminster in the early 1950's are perhaps the best of\nhis career, particularly the best of his Scarlatti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand track listing:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 1 (1951) - PAKM010\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e L. 429, Kk. 175 - Sonata in A minor (3:39)\u003c\/li\u003e\n\u003cli\u003eL. 430, Kk. 531 - Sonata in E major (3:50)\u003c\/li\u003e\n\u003cli\u003eL. 204, Kk. 105 - Sonata in G major (4:53)\u003c\/li\u003e\n\u003cli\u003eL. 37, Kk. 325 - Sonata in G major (3:15)\u003c\/li\u003e\n\u003cli\u003eL. 395, Kk. 533 - Sonata in A major (3:16)\u003c\/li\u003e\n\u003cli\u003eL. 345, Kk. 113 - Sonata in A major (3:58)\u003c\/li\u003e\n\u003cli\u003eL. 415, Kk. 119 - Sonata in D major (5:03)\u003c\/li\u003e\n\u003cli\u003eL. 252, Kk. 421 - Sonata in C major (3:48)\u003c\/li\u003e\n\u003cli\u003eL. 279, Kk. 419 - Sonata in F major (4:09)\u003c\/li\u003e\n\u003cli\u003e L. 500, Kk. 545 - Sonata in B flat major (3:20)\u003c\/li\u003e\n\u003cli\u003eL. 449, Kk. 27 - Sonata in B minor (4:19)\u003c\/li\u003e\n\u003cli\u003eL. 262, Kk. 535 - Sonata in D major (3:16)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded 1951, issued as Westminster LP WL 5106\u003cbr\u003eDuration 46:52\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 2 (1951) - PAKM011\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in D minor - L. 422, Kk. 141 (4'09\")\u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 465, Kk. 96 (3'11\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. 413, Kk. 9 (4'33\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 232, Kk. 124 (5'07\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 8, Kk. 461 (4'14\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 104, Kk. 159 (2'17\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 14, Kk. 492 (4'54\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B minor - L. 263, Kk. 377 (3'29\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 23, Kk. 380 (5'37\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 486, Kk. 13 (4'23\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G minor - L. 126, Kk. 347 (5'49\")\u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 127, Kk. 348 (2'32\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded 1951, issued as Westminster LP WL 5116\u003cbr\u003eDuration 52:16\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 3 (1951) - PAKM012\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in E major\u003c\/b\u003e - L. 25, Kk. 46\u003cbr\u003e\u003c\/span\u003e\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in B minor\u003c\/b\u003e - L. 33, Kk. 87\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in D major\u003c\/b\u003e - L. 419, Kk. 484\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in D major\u003c\/b\u003e - L. 165, Kk. 214\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in D minor\u003c\/b\u003e - L. 420, Kk. 444\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in D minor \u003c\/b\u003e- L. 58, Kk. 64\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in A minor\u003c\/b\u003e - L. 241, Kk. 54 \u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in C minor\u003c\/b\u003e - L. 352, Kk. 11\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in F major\u003c\/b\u003e - L. 432, Kk. 44\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in F major\u003c\/b\u003e - L. 433, Kk. 446\u003cbr\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in D major\u003c\/b\u003e - L. 365, Kk. 401\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cb\u003eSonata in C minor\u003c\/b\u003e - L. 10, Kk. 84\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRecorded 1951, issued as Westminster LP WL 5116\u003cbr\u003eDuration 52:16\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 4 (1952) - PAKM014\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cli\u003eSonata in D major - L. 463, Kk. 430\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 321, Kk. 263\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 209, Kk. 455\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G minor - L. 386, Kk. 35\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 388, Kk. 2\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A minor - L. 136, Kk. 61\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 418, Kk. 443\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 103, Kk. 259\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 205, Kk. 487\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. 381, Kk. 438\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F minor - L. 475, Kk. 519\u003cbr\u003e\n\u003c\/li\u003e\n\u003cp\u003eSonata in E major - L. 323, Kk. 215\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRecorded 1951, issued as Westminster LP WL 5186\u003cbr\u003eDuration 52:52\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 5 (1952) - PAKM017\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cli\u003eSonata in C minor - L. 407, Kk. 115 (7'12\")\u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 155, Kk. 271 (3'06\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 129, Kk. 201 (4'14\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 375, Kk. 20 (3'20\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 376, Kk. 147 (6'56\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 86, Kk. 520 (4'05\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 325, Kk. 98 (3'09\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B flat major - L. 327, Kk. 529 (2'44\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 218, Kk. 398 (6'07\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 84, Kk. 63 (2'17\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 457, Kk. 132 (7'19\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 487, Kk. 125 (2'42\")\u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. 381, Kk. 438\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F minor - L. 475, Kk. 519\u003cbr\u003e\n\u003c\/li\u003e\n\u003cp\u003eSonata in E major - L. 323, Kk. 215\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFernando Valenti, harpsichord\u003cbr\u003eDuration 53:16\u003cbr\u003eRecorded 1952, issued as Westminster LP WL 5205\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 6 (1952) - PAKM018\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in A minor - L. 379, Kk. 7 (4'42\")\u003c\/li\u003e\n\u003cli\u003eSonata in F minor - L. 281, Kk. 239 (3'52\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 324, Kk. 460 (5'09\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F minor - L. 173, Kk. 185 (4'10\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. 163, Kk. 176 (6'04\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 282, Kk. 133 (3'49\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A major - L. 135, Kk. 212 (3'35\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C minor - L. 452, Kk. 116 (3'41\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 286, Kk. 427 (2'36\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B flat major - L. 497, Kk. 544 (4'07\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 274, Kk. 399 (3'20\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 466, Kk. 264 (5'31\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecorded 1953, issued as Westminster LP WL 5325\u003cbr\u003eDuration 50:36\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 7 (1953) - PAKM020\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in E major - L. 470, Kk. 403\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSonata in A minor - L. 378, Kk. 3\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 304, Kk. 470\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. 385, Kk. 445\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B flat major - L. 434, Kk. 267\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A major - L. 238, Kk. 208\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A major - L. 428, Kk. 209\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B flat major - L. Supp. 39, Kk. 441\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 179, Kk. 152\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. 479, Kk. 6\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. Supp. 11, Kk. 415\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 301, Kk. 49\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded 1953 on Westminster LP W-9324\u003cbr\u003eDuration 47:02\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 8 (1954) - PAKM022\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in D major - L. 268, Kk. 224 (3'27\")\u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 427, Kk. 402 (10'37\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A major - L. 493, Kk. 301 (4'40\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 273, Kk. 216 (5'15\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C minor - L. 357, Kk. not listed (1'13\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. Supp. 15, Kk. 278 (3'03\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 162, Kk. 178 (1'50\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 359, Kk. 308 (4'26\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. Supp. 20, Kk. 276 (3'34\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. Supp. 10, Kk. 335 (4'01\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. Supp. 27, Kk. 328 (6'31\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. Supp. 19, Kk. 297 (3'58\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded 1954, issued on Westminster LP XWN18009\u003cbr\u003eDuration 52:34\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 9 (1955) - PAKM023\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in G major - L. 302, Kk. 372 (2'19\")\u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 458, Kk. 527 (3'26\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 257, Kk. 206 (9'15\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. Supp. 12, Kk. 516 (4'18\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. 423, Kk. 32 (1'31\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in B flat major - L. Supp. 36, Kk. 42 (1'30\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. Supp. 2, Kk. 420 (5'44\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 322, Kk. 167 (3'33\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F minor - L. 382, Kk. 69 (4'38\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. Supp. 4, Kk. 335 (2'22\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 335, Kk. 55 (3'22\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A major - L. Supp. 31, Kk. 83 (4'23\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eRecorded 1955, issued on Westminster LP XWN18029\u003cbr\u003eDuration 46:19\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 10 (1955) - PAKM026\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in A minor - L. 140, Kk. 341 (2'14\")\u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 109, Kk. 436 (2'54\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 349, Kk. 146 (2'38\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 21, Kk. 162 (5'48\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 255, Kk. 515 (3'22\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. 266, Kk. 517 (3'10\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 22, Kk. 198 (2'29\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G major - L. 288, Kk. 432 (2'15\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 308, Kk. 237 (2'53\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in G minor - L. 13, Kk. 60 (2'57\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 5, Kk. 406 (3'35\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C minor - L. 356, Kk. 56 (4'39\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eRecorded May, 1955, released as Westminster LP 18068\u003cbr\u003eDuration 38:54\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eVALENTI Scarlatti: Harpsichord Sonatas, Vol. 11 (1955) - PAKM027\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSonata in C major - L. 454, Kk. 309 (3'42\")\u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 206, Kk. 490 (9'31\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E minor - L. 24, Kk. 292 (3'23\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D minor - L. 270, Kk. 295 (4'02\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in A minor - L. 243, Kk. 451 (3'40\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 224, Kk. 135 (4'25\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C major - L. 7, Kk. 302 (5'54\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 265, Kk. 401 (3'35\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in E major - L. 373, Kk. 28 (3'48\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in C minor - L. 317, Kk. 99 (5'01\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in F major - L. 116, Kk. 518 (8'08\")\u003cbr\u003e \u003c\/li\u003e\n\u003cli\u003eSonata in D major - L. 213, Kk. 400 (2'39\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eRecorded 1955, released as Westminster LP 18094\u003cbr\u003eDuration 57:48\u003cbr\u003e\u003cbr\u003eFernando Valenti, harpsichord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":54932312392019,"sku":"mdd1789302046559","price":94.07,"currency_code":"USD","in_stock":true},{"title":"Mono MP3","offer_id":54932312424787,"sku":"cpd1789302046560","price":87.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/valenti-the-scarlatti-sonatas-for-harpsichord---pabx018_1.jpg?v=1789302054","url":"https:\/\/vendnora.com\/products\/valenti-the-scarlatti-sonatas-for-harpsichord-pabx018","provider":"luckagni","version":"1.0","type":"link"}