{"product_id":"toscanini-the-1939-beethoven-cycle-volume-3-1939-pasc554","title":"TOSCANINI The 1939 Beethoven Cycle, Volume 3 (1939) - PASC554","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eCoriolan Overture\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 6 'Pastoral'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 5\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eLive broadcast recording, 1939\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 79:44\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eNBC Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003e Arturo Toscanini\u003c\/span\u003e\u003c\/b\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003eGet 6 Boxed CDs for the price of 5 when you buy the full Digipack printed CD set\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fFanfare magazine review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fThese monumental recordings are must haves for music lovers of all stripes578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eThis quartet of releases [\u003ci\u003eVols. 3-6\u003c\/i\u003e] completes Pristine’s\nremarkable survey of the 1939 live Beethoven cycle broadcast by NBC\nradio, with the network’s eponymous orchestra led by Arturo Toscanini.\nMany of the general comments regarding the previous releases apply here.\nThis moment in the conductor’s career marked his final phase as a\npublic performer, and yet he would remain active for nearly another\ndecade. Those years included the intervention of a terrible war, various\npersonal travails, and the natural toll of age. Artistically, we can\nhear greater rhythmic flexibility in these performances in contrast to\nthe post war recordings, an intensified sense of alertness and even\nspontaneity, and a somewhat brasher tonality. Some of these differences\ncan be attributed to the fact that the ensemble was new in 1939 and so\nnot as cohesive as it would become, and most importantly, that these are\nlive performances, where a degree of artistic freedom (not to mention\nthe occasional instrumental flub) will inform the performances, in\ncontrast to studio recordings. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eThe quality that often came to mind as I sat\nmesmerized listening to these performances was joyousness. It is not a\nword that one naturally associates with the intense, serious-sounding\nrecordings of the 1950s era, which is the Toscanini that the typical\nmusic lover knows best (due to the sheer volume of those productions, as\nwell as RCA’s massive marketing campaign, which continued long after\nthe conductor’s death in 1957). Even the cover photo, not\ncoincidentally, I would guess, shows a smiling Toscanini, as opposed to\nthe famously stark black and white images created by Robert Hupka for\nRCA. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eThat sense of joy lights up the fast, outer\nmovements especially. It is hard to keep still in one’s seat during the\nfirst and fourth movements of the Symphony No. 7, not to mention the\njubilant finale of the Fifth. Slow movements are beautifully paced and\npoetic, most notably in the Ninth. And speaking of the “Choral”\nSymphony, as magnificent as the 1952 RCA Carnegie Hall version is, this\nrecording, as readers by now should surmise, is graced by just enough\nadditional bounce and natural, supple pacing as to be preferable. The\nvocal quartet is superb, with one common singer between the two\nversions, tenor Jan Pierce, sounding somewhat more stentorian as a\nyounger man. The females are terrific in both this 1939 version and in\n1952, but Nicola Moscona is a far more commanding bass in the earlier\nperformance. Another soloist of special interest is pianist Ania\nDorfmann, in the \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eChoral Fantasy\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e, delivering tremendous vitality and drive. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eRCA’s post-war recordings remain, justly so, among\nthe crown jewels of the classical catalog. And yet this new set\ninstantly challenges that hallmark, at least as far as Toscanini’s\nBeethoven is concerned. I have already stated my overall preference for\nthe interpretive prowess of the 1939 series, but the icing on the cake\nis certainly the quality of the sound. Pristine founder and chief\nengineer, Andrew Rose, is definitely some kind of magician. Unlike the\nawful “enhancements” (pseudo-stereo, punched-up frequency profiles,\netc.) that other producers have employed with older recordings over the\nyears, these display a natural sense for the individual timbres of the\ninstruments, with a decent amount of ambient space and remarkable\ndynamic presence. No hiss! No pops and clicks! Of course, these are 1939\noriginals, so there are some restrictions at the frequency extremes\n(high strings, for example, lack sparkle), but once the marvelous\nmusic-making kicks in, you don’t notice. The RCA recordings are\ncomparatively fatiguing, with a distracting glare in the upper\nregisters. I hasten to add that I have many Toscanini LPs, some\nreissues, but many original issues, so this is not a glib analysis. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"Br\"\u003e\n\u003cspan class=\"TIMES\"\u003eOne final note on the production; as is the case\nwith all Pristine recordings, these releases are available directly from\nPristine as high quality downloads. My auditions were via CD format.\nAny way you get them, these monumental recordings are must haves for\nmusic lovers of all stripes. \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"Br\"\u003e\u003cb\u003e\u003cspan class=\"TIMES\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"TIMESb\"\u003ePeter Burwasser \u003c\/span\u003e\u003c\/b\u003e\n\u003c\/p\u003e\u003cp\u003e\n\n\n\n\n\u003cbr\u003e\u003c\/p\u003e\u003cdiv id=\"dateBlockDiv\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"font-size: 12px;\"\u003eThis article originally appeared in Issue 43:1 (Sept\/Oct 2019) of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 12px;\"\u003eFanfare\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12px;\"\u003e Magazine.\u003c\/span\u003e\n\u003c\/h4\u003e\n\n\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC554.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eOn 28 October 1939, Arturo Toscanini took to the podium with his NBC\nSymphony Orchestra to begin what would be a unique series of six\nconcerts: his only recorded Beethoven integral symphony cycle. Over six\nweekly concert broadcasts Toscanini would conduct all nine symphonies,\nroughly in order, together with various overtures, excerpts and other\nworks, most interestingly the Choral Fantasy, Op. 80. This was coupled\nwith the Ninth \"Choral\" Symphony in a special broadcast live from\nCarnegie Hall (the other concerts took place in his more usual radio\nstudio venue), and constitutes the only recorded example of him\nconducting this work ever. Mortimer H. Frank suggests that Toscanini\nconsidered conducting the work again in 1952 in London but dropped the\nidea - he also suggests this may have been the only time Toscanini ever\nconducted the Choral Fantasy.\u003c\/p\u003e\u003cp\u003eAs with our recent issues of Toscanini conducting Russian music (PASC548) and the music of Richard Strauss (PASC549),\nI have been able to access source recordings of unprecedented quality,\ntaken from acetate discs recorded directly by NBC and almost certainly\nnot played since. For optimal sound quality this is crucial - the\ndelicate surfaces of these discs are prone to immediate deterioration\nwhen played, especially when the weighty pick-ups in common use in the\n1940s were used, resulting in distortion, higher background noise, and\npotential loss of high frequencies and other details. Previous issues\nhave relied on Toscanini's own copies, discs which have seen\nconsiderable wear and use over the years.\u003c\/p\u003e\u003cp\u003eThe use of these new\nsource discs translates directly into remarkable audio quality, with\nquiet backgrounds and a particularly wide frequency range - and sound\nquality that would have been considered excellent on a hi-fi era LP\nrecord from twenty or more years later. The use of the latest audio\nrestoration technology brings with it rock-solid pitching, excellent\ntonal balance, and a clean, clear sound quality throughout. On the present volume pitching was a particular issue, with severe wow and flutter to deal with as well as some considerable problems with pitch drift, manifested as a gradual drop over the course of each 10-15 minute side. This is all now fixable thanks to recent developments in digital restoration technologies, employed here possibly for the first time.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEach of the concert broadcasts ran for\nlonger than was usual, and it has been necessary to trim some of the\ncommentary from these recordings in order to fit each one onto a single\nCD release without cutting any of the music. The amount of speech\nediting will vary from release to release, but the intention is to\npreserve as much as possible the occasion as heard some 80 years ago -\nthis is, we believe, the first time they have been presented as\nbroadcast in this manner. Certainly they have never sounded as fresh and\nfine as this before.\u003c\/p\u003e\u003cdiv id=\"tab1\" class=\"tab-body tab-content current\"\u003e\u003cp\u003e\u003ci\u003e\u003cb\u003eAndrew Rose\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003eTOSCANINI The 1939 Beethoven Cycle, Volume 3\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cp\u003e1. RADIO Opening Announcement  (0:18)\u003cbr\u003e2. \u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eBEETHOVEN Coriolan Overture, Op. 62\u003c\/span\u003e\u003c\/b\u003e  (7:26)\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eBEETHOVEN  Symphony No. 6\u003c\/b\u003e in F, Op. 68 \"Pastoral\"\u003c\/span\u003e\u003cbr\u003e3. 1st mvt. - Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.  (11:41)\u003cbr\u003e4. 2nd mvt. - Scene am Bach. Andante molto moto  (11:53)\u003cbr\u003e5. 3rd mvt. - Lustiges Zusammensein der Landleute. Allegro  (5:03)\u003cbr\u003e6. 4th mvt. - Gewitter. Sturm. Allegro  (3:27)\u003cbr\u003e7. 5th mvt. - Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto  (9:01)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e8. RADIO Midway announcements  (0:31)\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eBEETHOVEN  Symphony No. 5\u003c\/b\u003e in C minor, Op. 67\u003c\/span\u003e\u003cbr\u003e9. 1st mvt. - Allegro con brio  (7:19)\u003cbr\u003e10. 2nd mvt. - Andante con moto  (9:15)\u003cbr\u003e11. 3rd mvt. - Scherzo. Allegro - Trio  (4:51)\u003cbr\u003e12. 4th mvt. - Allegro  (8:43)\u003c\/p\u003e\u003cp\u003e13. RADIO Closing Announcement  (0:16)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNBC Symphony Orchestra   \u003c\/b\u003e\u003cbr\u003econducted by \u003cb\u003eArturo Toscanini\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eXR remastering by Andrew Rose\u003cbr\u003eCover artwork based on a photograph of Toscanini\u003cbr\u003e\u003cbr\u003eBroadcast of 11 November, 1939\u003cbr\u003eNBC Studio 8H, Radio City, New York\u003cbr\u003e\u003cbr\u003eTotal duration:  79:44\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC554.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC554.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_labelfb55cd020f0643f08418183279e63a5fNew York Times Review578a9379d1e540bd96d26f03a79628d9tab4_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab4_contentfb55cd020f0643f08418183279e63a5f\u003cp align=\"center\"\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 24px;\"\u003eTOSCANINI LEADS BEETHOVEN CYCLE\n\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cb\u003e\n\u003c\/b\u003e\u003cp align=\"center\"\u003e\u003cb\u003e\nConductor Again on Podium as NBC Orchestra Is Heard in ‘Coriolanus’\nOverture\n\u003c\/b\u003e\u003c\/p\u003e\u003cb\u003e\n\u003c\/b\u003e\u003cp align=\"center\"\u003e\u003cb\u003e\nTHIRD CONCERT OF SERIES\n\u003c\/b\u003e\u003c\/p\u003e\u003cb\u003e\n\u003c\/b\u003e\u003cp align=\"center\"\u003e\u003cb\u003e\nFifth and Sixth Symphonies Also Are Presented at Night Program Here\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\nMr. Toscanini led performances by the NBC Symphony Orchestra of Beethoven’s\n“Coriolanus” overture and Sixth and Fifth symphonies, in the order\nmentioned, last night in Radio City. It was the third concert of the\ncurrent Beethoven cycle. The most polite and attentive audience in the\nworld heard superlative readings of these masterpieces.\n\u003c\/p\u003e\n\u003cp\u003e\nIt may be said that these audiences, in addition to the achievements of Mr.\nToscanini, experience a special pleasure. For they hear, as they could not\nhear anywhere else in the world, every note of Beethoven’s instrumentation.\n\u003c\/p\u003e\n\u003cp\u003e\nThis is due to the very acoustical limitations of the auditorium, which has\nso little vibration, and is deliberately deadened in sonority, so that the\norchestral tone loses much of its brilliancy and the richness of the tone\nis dried up. The result is an almost microscopic clearness of detail, which\ncould be the ruin of an inexpert performance.\n\u003c\/p\u003e\n\u003cp\u003e\nBut when Beethoven’s “Pastoral” is played with the beauty, clearness and\nmeticulous finish of phrase that Mr. Toscanini bestows upon it there is a\nnew realization of the beauty of the music and its craftsmanship, and the\npotent simplicity of the thought. For Mr. Toscanini, no more than\nBeethoven, hasn’t anything to conceal. Examine his performance with a\nmagnifying glass for the score and an ear trumpet to magnify any tonal\nerror at hand, and you will only marvel at the workmanship of composer,\nconductor and orchestra.\n\u003c\/p\u003e\n\u003cp\u003e\nAs for the thrilling performance of the Fifth symphony, it need only be\nsaid that it sounded exactly as Beethoven would have had it, and rang as\ntrue as steel throughout its gamut of heroic feeling. It is certainly the\nmost dramatic symphony ever written. The audience was applauding wildly as\nthe reviewers fled to their task.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003eO. D.\n\u003cbr\u003e\u003c\/b\u003eNew York Times\u003cbr\u003e12 November 1939\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":54932348633427,"sku":"aid1789302477080","price":11.14,"currency_code":"USD","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":54932348666195,"sku":"zyv1789302477081","price":9.7,"currency_code":"USD","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":54932348698963,"sku":"vfp1789302477082","price":8.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/toscanini-the-1939-beethoven-cycle-volume-3-1939---pasc554_1.jpg?v=1789302484","url":"https:\/\/vendnora.com\/products\/toscanini-the-1939-beethoven-cycle-volume-3-1939-pasc554","provider":"luckagni","version":"1.0","type":"link"}