{"product_id":"pritchard-in-edinburgh-mozart-tchaikovsky-nono-debussy-1962-pasc499","title":"PRITCHARD in Edinburgh: Mozart, Tchaikovsky, Nono, Debussy (1962) - PASC499","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 31, \"Paris\"\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eTCHAIKOVSKY \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eRomeo and Juliet Love Duet \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003e(in English)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eNONO  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eCanti di vita e d’amore: Sul ponte di Hiroshima\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eDEBUSSY  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eNocturnes\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: #000000\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-size: 12px;\"\u003eLive stereo concert recording, 1962\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 78:30\u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eMarie Collier, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003esoprano\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eDorothy Dorow, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003esoprano\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eRichard Lewis, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003etenor\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e \u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eJohn Pritchard\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, conductor\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC499.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eThis final of three visits to the 1962 Edinburgh Festival brings yet another \"new\" conductor to the Pristine catalogue, John Pritchard. Wikipedia tells us he was \"known for his interpretations of Mozart operas and for his support of contemporary music\", and whilst he was instrumental at the Glyndebourne Festival Opera for much of his life he did also take up posts as musical director of the London Philharmonic in the 1960s and later as chief conductor of the BBC Symphony Orchestra. \u003c\/p\u003e\u003cp\u003eHere we find him with the London Symphony Orchestra, and perhaps appropriately enough, conducting both Mozart and a contemporary work by Luigi Nono. In fact it is perhaps the latter for which this release is the most important - Nono's \"Canti di vita e d’amore: Sul ponte di Hiroshima\" was commissioned for the Edinburgh Festival and this excellent stereo recording of its world première performance may also be the first full commercial release of the work. (I've not been able to confirm this but I believe the central unaccompanied soprano solo section has been previously issued.) \u003c\/p\u003e\u003cp\u003eThe recording was made by the BBC Transcription Service most probably for distribution to American broadcasters rather than domestic transmission; announcements suggest two \"programmes\" were prepared, with the Debussy Nocturnes separate from the rest of the concert. I've retained most of the original announcements, though some trimming of these and lengthy audience applause was necessary to ensure the full recording could be accommodated on a single CD.      \u003c\/p\u003e\u003cp\u003e\u003ci\u003eAndrew Rose\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eBBC Radio Introduction  (0:48)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eMOZART  \u003c\/b\u003eSymphony No. 31 in D, K.297\/300a, \"Paris\"\u003c\/span\u003e\u003cbr\u003e1st mvt. - Allegro assai  (7:51)\u003cbr\u003e2nd mvt. - Andante  (6:47)\u003cbr\u003e3rd mvt. - Allegro  (4:29)\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eTCHAIKOVSKY \u003c\/b\u003eRomeo and Juliet - Love Duet\u003c\/span\u003e  (15:25)\u003cbr\u003e\u003cb\u003eMarie Collier\u003c\/b\u003e, soprano\u003cbr\u003e\u003cb\u003eRichard Lewis\u003c\/b\u003e, tenor\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eNONO  \u003c\/b\u003eCanti di vita e d’amore: Sul ponte di Hiroshima\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e1. Sul ponte di Hiroshima  (8:21)\u003cbr\u003e2. Djamila Boupachà  (3:48)\u003cbr\u003e3. Tu  (8:01)\u003cbr\u003e\u003cb\u003eDorothy Dorow\u003c\/b\u003e, soprano\u003cbr\u003e\u003cb\u003eRichard Lewis, \u003c\/b\u003etenor\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eDEBUSSY  \u003c\/b\u003eNocturnes\u003c\/span\u003e\u003cbr\u003e1. Nuages  (6:56)\u003cbr\u003e2. Fêtes  (6:22)\u003cbr\u003e3. Sirènes  (9:42)\u003cbr\u003eEdinburgh Royal Choral Union \u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eJohn Pritchard, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econductor\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003eXR remastering by Andrew Rose\u003cbr\u003eCover artwork based on a photograph of Edinburgh Castle\u003cbr\u003eLive concert recording: Edinburgh Festival. Usher Hall, Edinburgh, August 22, 1962\u003cbr\u003eRecorded by BBC Transcription Services\u003cbr\u003e\u003cbr\u003eTotal duration:  78:30 \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f\u003cbr\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC499.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC499.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_labelfb55cd020f0643f08418183279e63a5fConcert Review578a9379d1e540bd96d26f03a79628d9tab4_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab4_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eOn Wednesday the LSO, conducted by John Pritchard, performed for the first time a cantata by Luigi Nono called “Sul Ponte di Hiroshima.” It is composed for soprano, tenor, and orchestra, and is a setting of the German Gunther Anders’s “The Man on the Bridge,” translated into Italian, with an interpolation for soprano solo in Spanish. The poem tells us that “they must not just lie around, their death is not death in the usual sense but a warning to be passed on.” It ends with “A door will open. The tumult of the streets will be the tumult in my heart in the light of the morning. . . .” There was certainly tumult in the orchestra. But Nono has undoubtedly set his serious text seriously. He aims at finding an expression of pity, horror, awakening dawn and hope, by a sort of instrumental onomatopoeia. The violins pressed down their strings and hit them with their hands. There is a clever amalgam of slitherings and harmonics. The brass trumpets like wounded elephants. There are pretty tinklings of bells. Occasionally there are sounds of a furniture removal. The solo voices wail, sometimes with an indefinable pathos. But frankly I don’t pretend to understand this score as music. Not as music of the kind on which I can speak with some authority.\u003cbr\u003e\u003cbr\u003eIt may have genius, potential or actual, though I suspect it is not more than a matter of an ingenius ear, plus naïve imagination. Richard Lewis, at this performance, did his best in the circumstances to make good the deficiency. And Dorothy Dow coped with her soprano parts successfully I imagine. But only Mr Pritchard is in a position to state with certainty how many of the notes written down on paper were reproduced in this performance in their right places, and order. And, probably, the composer himself.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNeville Cardus\u003c\/b\u003e, The Guardian, 24 August 1962 (\u003ci\u003eexcerpt\u003c\/i\u003e)\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_labelfb55cd020f0643f08418183279e63a5fNono: Libretto578a9379d1e540bd96d26f03a79628d9tab5_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab5_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv id=\"tab-id-4-container\" class=\"tab_content active_tab_content\"\u003e\n\u003cdiv class=\"tab_inner_content invers-color\" itemprop=\"text\"\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cb\u003eI Sul Ponte di Hiroshima\u003c\/b\u003e [da Günther Anders, \u003cem\u003eEssere o non essere Diario di Hiroshima e Nagasaki\u003c\/em\u003e]\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003ci\u003eper soprano e tenore – orchestra\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eEssi\nnon devono giacere\u003cbr\u003e\ne basta.\u003cbr\u003e\nla loro\u003cbr\u003e\nnon è una morte abituale\u003cbr\u003e\nma\u003cbr\u003e\nun monito,\u003cbr\u003e\nun avvertimento.\u003cbr\u003e\norchestra\u003cbr\u003e\nsu un ponte di Hiroshima\u003cbr\u003e\nun uomo\u003cbr\u003e\npizzica le corde di uno strumento\u003cbr\u003e\ne canta.\u003cbr\u003e\ndove vi aspettate di trovare il volto,\u003cbr\u003e\nnon troverete un volto,\u003cbr\u003e\nma una cortina:\u003cbr\u003e\nperché non ha più volto.\u003cbr\u003e\ndove vi aspettate di trovare la mano,\u003cbr\u003e\nnon troverete una mano,\u003cbr\u003e\nma un artigilio d’acciaio:\u003cbr\u003e\nperché non ha più mano.\u003cbr\u003e\nfinché non avremo esorcizzato il pericolo,\u003cbr\u003e\nche alla sua prima manifestazione\u003cbr\u003e\nportò via 200.000 uomini,\u003cbr\u003e\nquell’automa\u003cbr\u003e\nsarà su quel ponte\u003cbr\u003e\ne\u003cbr\u003e\ncanterà la sua canzone.\u003cbr\u003e\nsarà su tutti i ponti\u003cbr\u003e\nche conducono al nostro futuro comune\u003cbr\u003e\ncome atto di accusa\u003cbr\u003e\ncome messaggero.\u003cbr\u003e\nfacciamo quanto occorre\u003cbr\u003e\nper potergli dire:\u003cbr\u003e\nnon sei più necessario;\u003cbr\u003e\npuoi lasciare il tuo posto.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cb\u003eII Djamila Boupachà\u003c\/b\u003e [Canto di J. L. Pacheco, \u003cem\u003eEsta Noche\u003c\/em\u003e]\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003ci\u003eper soprano solo\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eQuitadme de los ojos\nesta niebla de siglos.\u003cbr\u003e\nQuiero mirar las cosas\u003cbr\u003e\ncomo un niño.\u003cbr\u003e\nEs triste amanecer\u003cbr\u003e\ny ver todo lo mismo.\u003cbr\u003e\nEsta noche de sangre,\u003cbr\u003e\neste fango infinito.\u003cbr\u003e\nHa de venir un día,\u003cbr\u003e\ndistinto.\u003cbr\u003e\nHa de venir la luz,\u003cbr\u003e\ncreedme lo que os digo.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cb\u003eIII Tu\u003c\/b\u003e [Canto di Cesare Pavese, \u003cem\u003ePasserò per Piazza di Spagna\u003c\/em\u003e]\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eSarà un cielo chiaro.\nS’apriranno le strade\u003cbr\u003e\nsul colle di pini e di pietra.\u003cbr\u003e\nIl tumulto delle strade\u003cbr\u003e\nnon muterà quell’aria ferma.\u003cbr\u003e\n[I fiori spruzzati\u003cbr\u003e\ndi colore alle fontane\u003cbr\u003e\nocchieggeranno come donne\u003cbr\u003e\ndivertite.] Le scale\u003cbr\u003e\nle terrazze le rondini\u003cbr\u003e\ncanteranno nel sole.\u003cbr\u003e\nS’aprirà quella strada,\u003cbr\u003e\nle pietre canteranno,\u003cbr\u003e\nil cuore batterà sussultando\u003cbr\u003e\ncome l’acqua nelle fontane—\u003cbr\u003e\nsarà questa la voce\u003cbr\u003e\nche salirà le tue scale.\u003cbr\u003e\n[Le finestre sapranno\u003cbr\u003e\nl’odore della pietra e dell’aria\u003cbr\u003e\nmattutina.] S’aprirà una porta.\u003cbr\u003e\nIl tumulto delle strade\u003cbr\u003e\nsarà il tumulto del cuore\u003cbr\u003e\nnella luce smarrita.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eSarai tu—ferma e chiara.\u003c\/p\u003e \u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFrom http:\/\/www.luiginono.it\/en\/works\/canti-di-vita-e-damore-sul-ponte-di-hiroshima\/#tab-id-4\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab5_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab5_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Stereo 24-bit FLAC","offer_id":54932173881683,"sku":"ghk1789301045421","price":13.55,"currency_code":"USD","in_stock":true},{"title":"Stereo 16-bit FLAC","offer_id":54932173914451,"sku":"lii1789301045422","price":8.8,"currency_code":"USD","in_stock":true},{"title":"320kbps Stereo MP3","offer_id":54932173947219,"sku":"xjn1789301045423","price":8.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/pritchard-in-edinburgh-mozart-tchaikovsky-nono-debussy-1962---pasc499_1.jpg?v=1789301053","url":"https:\/\/vendnora.com\/products\/pritchard-in-edinburgh-mozart-tchaikovsky-nono-debussy-1962-pasc499","provider":"luckagni","version":"1.0","type":"link"}