{"product_id":"ormandy-sibelius-symphonies-4-5-swan-of-tuonela-finlandia-195054-pasc177","title":"ORMANDY Sibelius: Symphonies 4 \u0026 5, Swan of Tuonela, Finlandia (1950\/54) - PASC177","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eS\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eIBELIUS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSympho\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eny No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSIBELIUS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003e5\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSIBELIUS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eThe Swan of Tuonela\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSIBELIUS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eFinlandia\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in 1954 and 1950\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 77:40\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Philadelphia Orchestra\u003c\/span\u003e\u003cbr\u003e \u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eEugene Ormandy\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fFanfare Review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fAn enthusiastic recommendation578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003ci\u003e[excerpt from joint review]\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eAs for Ormandy’s Fourth and Fifth, these\nperformances have been well known and highly regarded since their issue.\nIn my survey of Sibelius symphony recordings (\u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eFanfare\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e\n30:3) I referred to this Fourth (with apologies for quoting myself) as\n“fierce, one of the most energetic recordings he ever made; it is also\none of the few recordings of this symphony that actually opens \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eff\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e\nas indicated.” Readings of the Fourth tend to be either lugubrious or\nangrily defiant; this one exemplifies the latter type as well as any\nrecording I know. I also cited the Fifth as being “committed and\ncompelling; the first-movement \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003estretto\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e is beautifully calibrated and builds a huge amount of momentum without ever being obvious or crass.” \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003ePristine’s sonic treatment alters the frequency\nspectrum of the LPs; there is less top here, but more bottom. The\nbackgrounds are silent, a treat for listeners who remember all too well\nhow noisy the surfaces of 1950s LPs could be. The copy used in this\ntransfer had a couple of pressing flaws in the opening minutes of the\nFifth that evidently couldn’t be corrected; ideally, Rose would have had\nmultiple copies to work with. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eThe tone poems definitely sound their age by\ncomparison to the symphonies; the slight break in tempo and change of\npitch that characterized the change of sides at 4:08 in \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eFinlandia\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e—recordings\nwere still being mastered in four-minute segments for issue on 78 and\n45 discs—are still audible here. But these recordings sound more\nlifelike on this CD than on any LP I’ve heard. Because Ormandy\nre-recorded so much of his repertoire—there are five versions each of \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eFinlandia\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e and \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eThe Swan of Tuonela\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e—documentation\nof this part of his career is far too sparse; as these recordings show,\nhe was a very different conductor in his fifties from his RCA stereo\nrecordings, most of which were made when he was past 70. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp class=\"Br\"\u003e\n\u003cspan class=\"TIMES\"\u003eSo, the Ormandy disc receives an enthusiastic\nrecommendation; the Schmidt-Isserstedt Second is primarily for\nspecialists, or collectors nostalgic for their copies of the LP. \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"Br\"\u003e\u003cspan class=\"TIMES\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan class=\"TIMESb\"\u003eRichard A. Kaplan \u003c\/span\u003e\u003c\/b\u003e\n\u003c\/p\u003e\u003cdiv id=\"dateBlockDiv\"\u003e\n\u003ch4\u003e\n\u003cspan style=\"font-size: 12px;\"\u003eThis article originally appeared in Issue 33:4 (Mar\/Apr 2010) of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 12px;\"\u003eFanfare\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12px;\"\u003e Magazine.\u003c\/span\u003e\n\u003c\/h4\u003e\n\n\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC177.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp align=\"center\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 24px;\"\u003eSome of Ormandy's finest Sibelius finally available digitally\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"bodybig\" style=\"margin-left: 25px;\" align=\"center\"\u003e\u003cem class=\"bodymid\"\u003e \u003cspan style=\"font-size: 18px;\"\u003eHis classic 50s Sibelius, newly remastered, sounds amazing!\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\u003c\/ul\u003e\u003cp style=\"margin-left: 25px;\"\u003e\u003cspan class=\"bodybigblue\"\u003e\u003cem\u003e\"...Finlandia \u003c\/em\u003ereceiving one the most fiercely dramatic recordings it's ever had ... The \u003cem\u003eFifth \u003c\/em\u003e...\nan exciting performance ... the work's closing moments beautifully\nbalanced by both Ormandy and his American Columbia engineers... Andrew\nRose's Pristine Classics transfer is first-rate\" \u003c\/span\u003e\u003cspan class=\"bodymidarial\"\u003e- Rob Cowan, Gramophone, Nov. 2009\u003c\/span\u003e\u003c\/p\u003eThese wonderful recordings have all restored well from transfers sent to me by The Stotowski Society's lynchpin, Edward Johnson, to whom I'm once again grateful. Of the four recordings, only that of the Fifth Symphony proved troublesome, and I suspect for a variety of reasons. Damage to the master tapes used for LP pressing was evident during the finale, characterised by a consistent amplitude 'flutter' in the high treble, particularly noticeable during louder string sections in the climaxes of the movement. Fixing this involved a careful selection of the frequencies involved and undoing the fluttering by a mixture of boosting each semi-dropout and reducing levels where which peaked too high - all within a specfic high frequency range. This is the kind of digital fix which has only become possible within the very recent past.\n\u003cp class=\"body\"\u003eRather odder was a bizarre de-tuning effect which occurred when my first XR re-equalisation was applied. This exceptionally precise boosting and reduction of frequencies seemed to have the effect of exposing what may well be inherent tuning discrepancies within the orchestra that day and exacerbating them - even without this equalisation one senses at times that the strings and woodwind are not entirely in tune with each other, but with it the sound occasionally was more that of a high school band than the Philadelphia Orchestra!\u003c\/p\u003e\n\u003cp class=\"body\"\u003eHaving done a fair amount of work to try to get around this problem, I produced a master and set everything up for the release, only to decide on the morning of issue whilst listening in the car that it was no good, and I'd have to go back to the start and re-do the entire 5th Symphony all over again! I hit upon an alternative approach to the equalisation which would preserve the generally excellent results of the earlier master, whilst, I hoped, avoiding the out-of-tune effect. I'm pleased, and somewhat relieved, to report success here, together with my full satisfaction with the entire release. This really is a gem that deserves to be heard once again, and in this release I think you'll agree it's sounding particularly wonderful!\u003c\/p\u003e\n\u003cp class=\"body\"\u003e\u003ci\u003eAndrew Rose\u003c\/i\u003e \u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cul\u003e\n\u003cli class=\"bodybigblue\"\u003e\n\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003eSymphony No. 4 in A minor, Op. 63\u003cbr\u003e \u003cspan class=\"body\"\u003e\u003cstrong\u003eRecorded 28th November, 1954\u003c\/strong\u003e Transfer from UK LP issue: Philips ABL3084\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"bodybigblue\"\u003e\n\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003eSymphony No. 5 in E flat, Op. 82\u003cbr\u003e \u003cspan class=\"body\"\u003e\u003cstrong\u003eRecorded 19th December 1954 \u003c\/strong\u003eTransfer from UK LP issue: Philips ABL3084\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"bodybigblue\"\u003e\n\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e The Swan of Tuonela, Op. 22 No. 2\u003c\/li\u003e\n\u003cli class=\"bodybigblue\"\u003e\n\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eSIBELIUS \u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e Finlandia, Op. 26\u003cbr\u003e \u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"body\"\u003e\u003cstrong\u003e2nd April, 1950\u003c\/strong\u003e Transfer from US Columbia ML2158\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"body\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"body\"\u003eThe Philadelphia Orchestra\u003cbr\u003e conducted by Eugene Ormandy\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"bodysmallarial\"\u003eTransfers from the collection of Edward Johnson\u003cbr\u003e XR remastering by Andrew Rose at Pristine Audio, July 2009 \u003cbr\u003e Cover artwork based on a photograph of Eugene Ormandy\u003cbr\u003e \u003cbr\u003e Total duration: 77:40 \u003c\/span\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC177.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC177.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_labelfb55cd020f0643f08418183279e63a5fAdditional Notes578a9379d1e540bd96d26f03a79628d9tab4_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab4_contentfb55cd020f0643f08418183279e63a5f\u003cp class=\"body\"\u003e    \u003ci\u003e\u003cem\u003e\"...As wonderful as it\nwas to meet Sibelius for the first time, it was even more wonderful to\nhave been able to introduce him, some years later, to the members of The\nPhiladelphia Orchestra.  That occurred in June 1955, and there is a\nrather touching story connected with the meeting.  For some months\nprevious I had been in correspondence with Dr. Ringbom, the director of\nthe Helsinki Philharmonic, in order to arrange for the orchestra to meet\nthe master while we were in Finland on tour.  Sibelius was very ill at\nthe time, very old and fragile and tormented by ear trouble.  The day we\nwere to go to his secluded villa at Järvenpää arrived, and though it\nwas cold and raw and raining, the men were as excited and eager as\nchildren.  And I was as excited as any of them.  Imagine my\ndisappointment when Dr. Ringbom called to confess that when he had\nwritten to me in Philadelphia to say that everything was arranged he had\nnot mentioned that Sibelius himself knew nothing about the projected\nvisit.  He had only spoken to Mrs. Sibelius, who had agreed at the time\nbut now flatly said no, her husband was too ill to receive us. \u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003ci\u003e\u003cem\u003e    There we were,\nin Helsinki, thousands of miles from home and within twenty-seven miles\nof Sibelius.  \"Dr. Ringbom,\" I said, \"you must not disappoint us. \nPlease call up Mrs. Sibelius and explain to her that this orchestra,\nfrom the very earliest days with Stokowski, has done as much to spread\nSibelius' fame as any orchestra in the world.  All they ask in return is\nto see him.\"  It worked. \u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003ci\u003e\u003cem\u003e    My wife and I\nwere having tea with him, and the orchestra came in two buses.  Even\nthen he hadn't been told that they were coming.  He was so sensitive --\nperhaps the most sensitive, shy man I ever met in my life -- that the\nknowledge that he was to meet 110 musicians would probably have\nincapacitated him if he were given  too much time to think about it. \nAnd those poor colleagues of mine were standing out in the cold rain\nwith thin raincoats on, waiting!  Finally I took the bull by the horns\nand said, \"Mr. Sibelius, do you know that the entire Philadelphia\nOrchestra, the orchestra that played your music when nobody else did, is\nwaiting outside, hoping to meet you?  Would you just go out on the\nbalcony and say hello to them?\" \u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003ci\u003e\u003cem\u003e    \"But I cannot speak English well enough,\" he protested.  \"They will not understand me.\" \u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003ci\u003e\u003cem\u003e    \"Speak German, they'll understand you.  Just look at them, don't say anything.\" \u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003ci\u003e\u003cem\u003e    And so he got\nhis heavy winter coat and hat -- there are pictures of that visit -- and\ncame out with me.  \"Gentlemen,\" I said, \"Mr. Sibelius needs no\nintroduction.\"  They applauded him and bravoed him until I had to tell\nthem, \"Gentlemen, Mr. Sibelius is not well, but he wanted to come out\nand say a few words to you.\"  And then he told them, with the beautiful\nsimplicity of his few English words, how grateful he was to them for\nplaying his music so nobly.  At last his oldest daughter pulled him\nback, saying, \"Daddy you're going to catch cold.\"  Fortunately, he\ndidn't catch cold, but we were worried that he might, for it was bitter\nthat day...\u003c\/em\u003e\"\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003cstrong\u003eFrom Jean Sibelius: A Reminiscence by Eugene Ormandy\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 24-bit 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