{"product_id":"kempff-the-beethoven-piano-sonatas-volume-3-1951-pakm084","title":"KEMPFF The Beethoven Piano Sonatas, Volume 3 (1951) - PAKM084","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Sonatas Nos. 16 - 24\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1951\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 25:12\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eWilhelm Kempff\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PAKM084.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp style=\"margin-left: 25px;\"\u003e\"The character of Kempff's \u003ci\u003eAppassionata \u003c\/i\u003ereading is made plain in the opening bars. He does not make a fuss about it, but plays them in a direct, simple and lyrical way. \u003ci\u003eAppassionata\u003c\/i\u003e, we should remember, was not Beethoven's title, but that of the publisher Cranz. Beethoven's reply, when asked what this work and the D minor Sonata, Op. 31, No.2, meant, was: \"Read Shakespeare's \u003ci\u003eTempest\u003c\/i\u003e\" - and Marion Scott actually started a rather dubious hare by remarking that Beethoven might have linked in his mind \u003ci\u003eThe Tempest\u003c\/i\u003e and the melody \"On the banks of Allan Water\" (which, some think, was deliberately adapted to form the second subject of the \u003ci\u003eAppassionata\u003c\/i\u003e) - because both were British! I don't want to venture into these fields, but only to suggest that the title \u003ci\u003eAppassionata\u003c\/i\u003e, and such commentaries as that of Parry (\"Here the human soul asked mighty questions of its God, and had its reply\"), have probably tempted some interpreters to welter too much in the music.\u003cbr\u003e\u003cbr\u003eKempff is in no danger of doing so. The surprises of the first movement are all the more exciting because they explode in an atmosphere which has not previously been charged with emotion - only with mystery and stillness. In the \u003ci\u003eAndante con moto\u003c\/i\u003e his playing of the theme and the variations takes us into a world of serene, ideal beauty, prophetic of the last sonatas. The Finale is taken more slowly than usual, and because there is no rush, the full intricate texture, the questioning and answering voices which so often flash past uncomprehended like scraps of an interesting conversation heard in a noisy train, can all be appreciated. The final \u003ci\u003ePresto \u003c\/i\u003etoo is less fast than usual; and this is one of those not uncommon cases where greater energy is generated by the more deliberate and manageable tempo.\u003cbr\u003e\u003cbr\u003eThis is indeed a very fine performance, which can teach us a good deal about the sonata, and is complementary to the other fine performances (Gieseking, Fischer, Solomon, Frugoni, Katchen, etc., etc.) which have been put on record. The recording is excellent.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA.P., The Gramophone\u003c\/b\u003e, January 1957\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"The memorable photograph on the sleeve of Kempff registering \u003ci\u003eWeltschmerz \u003c\/i\u003eis curiously at variance with the performances on the disc. It seems to presage heavily dramatic renditions of the post-Liszt era, whereas Kempff's playing is light and comparatively undramatic. His unpretentious clarity would have struck our grandfathers as the negation of all Beethoven stood for. Kempff plays the \u003ci\u003eWaldstein \u003c\/i\u003eas though he were thinking in terms of a fortepiano contemporary with the music. He uses the sustaining pedal much less than most pianists; in the opening bars, for instance, the repeated quavers are detached and almost dainty. When he comes to the hymn-like contrasting tune, he resists the usual temptation to emphasise its lyricism by adopting a slower tempo; he takes it at exactly the same tempo, and this momentarily shocks the ear, and then justifies itself completely. The resisting of romantic temptations (in the musical sense) is part and parcel of Kempff's attitude to Beethoven. This first movement is perhaps less exciting than usual, but a good deal more convincing. I have never heard the little slow movement played with such grave beauty, and the tender opening to the finale is equally lovely. Once or twice in the technically difficult passages Kempff's fingers miss a note or two, but such tiny lapses add reality to the playing. This is not the conventional performance of the Waldstein; it is something much more interesting than that - an unconventional but convincing performance of real intellectual beauty.\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eR.F., The Gramophone\u003c\/b\u003e, July 1958\u003c\/p\u003e\u003cp style=\"margin-left: 25px;\"\u003e(NB. \u003ci\u003eThe whole of the second and third movements of this sonata can be heard in our online sample\u003c\/i\u003e)\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin-left: 25px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe majority of the recordings in Kempff's 1950s complete Beethoven\nsonatas series were made in 1951 in sessions which must by today's\nstandards have seemed quite intensive: the nine sonatas in this\nthird volume were recorded over just four days - and they were not the only recordings made on those days!\nThe recordings took place\nin the Beethovensaal in Hannover and were\ndestined for release both on 12-inch long playing vinyl and 78rpm\nshellac. Although the recorded piano tone was more than adequate for its\nera\nit remained somewhat flat and hard to modern ears, something that these\nXR remasters have essentially cured, bringing to these fabulous\nperformances an enhanced, natural tone that really sings, allowing the\nyears to fall away and the original performances to be re-approached as\nif new.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eAndrew Rose\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eKEMPFF \u003c\/b\u003eThe Beethoven Piano Sonatas, Volume 3\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003eDISC ONE\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 16 in G major, Op. 31, No. 1\u003cbr\u003e1. 1st mvt. - Allegro vivace  (4:52)\u003cbr\u003e2. 2nd mvt. - Adagio grazioso  (11:05)\u003cbr\u003e3. 3rd mvt. - Rondo. Allegretto  (6:36)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 21 December 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 17 in D minor, Op. 31, No. 2, \u003ci\u003e'The Tempest'\u003c\/i\u003e\u003cbr\u003e4. 1st mvt. - Largo - Allegro  (6:18)\u003cbr\u003e5. 2nd mvt. - Adagio  (7:21)\u003cbr\u003e6. 3rd mvt. - Allegretto  (7:17)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 21 December 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 18 in E-flat major, Op. 31, No. 3, \u003ci\u003e'The Hunt'\u003c\/i\u003e\u003cbr\u003e7. 1st mvt. - Allegro  (6:09)\u003cbr\u003e8. 2nd mvt. - Scherzo. Allegretto vivace  (5:09)\u003cbr\u003e9. 3rd mvt. - Minuet. Moderato e grazioso - Trio  (4:34)\u003cbr\u003e10. 4th mvt. - Presto con fuoco  (4:58)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 22 December 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 19 in G minor, Op. 49, No. 1, \u003ci\u003e'Leichte Sonata'\u003c\/i\u003e\u003cbr\u003e11. 1st mvt. - Andante  (4:10)\u003cbr\u003e12. 2nd mvt. - Rondo. Allegro  (3:55)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 25 September, 22 December 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDISC TWO\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 20 in G major, Op. 49, No. 2, \u003ci\u003e'Leichte Sonata'\u003c\/i\u003e\u003cbr\u003e1. 1st mvt. - Allegro ma non troppo  (4:39)\u003cbr\u003e2. 2nd mvt. - Tempo di minuet  (3:59)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 25 September 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 21 in C major, Op. 53, \u003ci\u003e'Waldstein'\u003c\/i\u003e\u003cbr\u003e3. 1st mvt. - Allegro con brio  (8:32)\u003cbr\u003e4. 2nd mvt. - Introduzione. Adagio molto  (3:31)\u003cbr\u003e5. 3rd mvt. - Rondo. Allegretto moderato - Prestissimo  (10:01)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 24 September 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 22 in F major, Op. 54\u003cbr\u003e6. 1st mvt. - In tempo d'un menuetto  (6:07)\u003cbr\u003e7. 2nd mvt. - Allegretto - Più allegro  (6:11)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 25 September 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 23 in F minor, Op. 57, \u003ci\u003e'Appassionata'\u003c\/i\u003e\u003cbr\u003e8. 1st mvt. - Allegro assai  (9:49)\u003cbr\u003e9. 2nd mvt. - Andante con moto  (6:14)\u003cbr\u003e10. 3rd mvt. - Allegro ma non troppo - Presto  (5:49)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 22 September 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBEETHOVEN  \u003c\/b\u003ePiano Sonata No. 24 in F-sharp major, Op. 78, \u003ci\u003e'A Thérèse'\u003c\/i\u003e\u003cbr\u003e11. 1st mvt. - Adagio cantabile - Allegro ma non troppo  (5:03)\u003cbr\u003e12. 2nd mvt. - Allegro vivace  (2:55)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 22 September 1951\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWilhelm Kempff\u003c\/b\u003e, piano\u003cbr\u003e\u003cbr\u003eXR remastering by  Andrew Rose\u003cbr\u003eCover artwork based on a photograph of Wilhelm Kempff\u003cbr\u003eRecorded at Beethovensaal, Hannover\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTotal duration\u003c\/b\u003e: 2hr 25:12   \u003cbr\u003eCD1: 72:24    CD2: 72:48\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PAKM084.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PAKM084.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":54932395360595,"sku":"glp1789302954215","price":27.85,"currency_code":"USD","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":54932395393363,"sku":"rqc1789302954216","price":16.08,"currency_code":"USD","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":54932395426131,"sku":"fxb1789302954217","price":15.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/kempff-the-beethoven-piano-sonatas-volume-3-1951---pakm084_1.jpg?v=1789302965","url":"https:\/\/vendnora.com\/products\/kempff-the-beethoven-piano-sonatas-volume-3-1951-pakm084","provider":"luckagni","version":"1.0","type":"link"}