{"product_id":"haydn-quartet-society-complete-set-1931-38-pabx020","title":"HAYDN QUARTET SOCIETY Complete Set (1931-38) - PABX020","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eTHE HAYDN QUARTET SOCIETY\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003e Volumes 1-8 \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003e29 String Quartets, recorded 1931-1938\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Pro Arte Quartet\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACM025.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand note:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 1 (1931) - PACM008\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eFirst Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 2 (1931\/2) - PACM011\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eSecond Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 3 (1933) - PACM013\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eThird Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\n\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 4 (1934) - PACM016\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eFourth Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\n\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"bodysmallarialblue\" align=\"left\"\u003e\u003cbr\u003eWhen restoring these\nrecordings from original 78rpm discs we always strive to use the\nbest-quality source material. In the case of this volume, we had two\nnear-mint sets of discs to work from. Thus should a problem arise with\none set it would be possible to turn to the other set for a second\nchance to find the optimum transfer. In the case of the very first side\nof this set, I noted poor surface quality, with a pronounced swish, and a\ntendency to slight screeching in the strings. Naturally I immediately\nturned to our second copy and transcribed this, only to find exactly the\nsame problems - even down to the swish reproducing identically on both\ndiscs.\u003c\/p\u003e\n\u003cp class=\"bodysmallarialblue\" align=\"left\"\u003eIn both cases the\ndifficulties eased off around halfway through the side, and I can only\nput this down to problems in the mastering or pressing stage of record\nmanufacture. As such the sound quality, whilst hugely improved, is of\nvery slightly lesser quality for the first two to three minutes of this\nrecording than I had hoped to achieve. I'm happy however to state that\nthe 55 minutes of music which follow are delightful!\u003c\/p\u003e\n\u003cp class=\"bodysmallarialblue\" align=\"left\"\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 5 (1935) - PACM019\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eFifth Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 6 (1936) - PACM020\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eSixth Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 7 (1937) - PACM024\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eSeventh Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 8 (1938) - PACM025\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eEighth and Final Volume of The Haydn Quartet Society\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eThe Pro Arte Quartet, remastered for finest sound quality\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eTo state that \u003cb\u003eHaydn\u003c\/b\u003e,\nmore than perhaps any other composer, is responsible for the String\nQuartet as we know it - and from there the many other instrumental\nvariations of chamber music of the Classical, Romantic and Modern\nperiods - seems a very bold and sweeping comment. And yet it was Haydn\nwho freed his quartets from the tyranny of the \u003cem\u003econtinuo\u003c\/em\u003e and\nallowed his parts to move freely, without relying on the 'gravity' of a\nbass. It was Haydn who more or less invented Sonata form, and who\ndeveloped the beautiful part-writing, following on from his own studies\ninto earlier vocal polyphony, which is the essence of the string quartet\nmedium. \u003c\/span\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOf\nhis many quartets - one website lists 78 works for String Quartet by or\nattributed to Haydn - the Pro Arte Quartet chose 29 works to record in\ntheir ground-breaking 8-volume Haydn Quartet Society series, made for\nHMV between 1931 and 1938. These cover the full range of his output,\nfrom Op. 1 No. 1 (1762) to the two Opus 77 quartets of 1799 (the final\nOp. 103 remained unfinished).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"color: #000000; font-family: Georgia,Times New Roman,Times,serif;\"\u003e\n\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand track listing:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 1 (1931) - PACM008\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 20, No. 2 in C major, Hob.III:32\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 33, No. 3 in C major, Hob.III:39 \"The Bird\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 77, 1 in G major, Hob.III:81 “Lobkowitz”\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eOriginally released in 1932 as HMV DB1628-1631 (1-8) and DB1634-1636 (9-12)\u003cbr\u003eMatrix\nNumbers: 2B2476-II, 2B2477-II, 2B2478-II, 2B2479-II, 2B2464-II,\n2B2465-1, 2B2466-I, 2B2467-II,2B2468-II, 2B2469-I, 2B2474-II, 2B2475-I,\n2B2472-1, 2B2473-II\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eDuration 55:06\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 2 (1931\/2) - PACM011\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 33, No. 6 in A major, Hob.III:24\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 54, No. 1 in A major, Hob.III:60\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 54, No. 2 in F minor, Hob.III:61 \"The Razor\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 74, No. 3 in G minor, Hob.III:74 “The Rider”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eRecorded in 1931 \u0026amp; 1932\u003cbr\u003e Originally released in 1932 as HMV DB1927-1931 (1-12) and DB1632-1633 (13-16) \u003cbr\u003e\nMatrix Numbers: 2B3958-II, 2B3959-II, 2B3950-I, 2B3951-I, 2B3952-II,\n2B3953-1, 2B3954-I, 2B3955-II, 2B3956-I, 2B3957-II, 2B2458-II,\n2B2460-II, 2B2461-I1, 2B2459-II\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e(Duration 62'56\")\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 3 (1933) - PACM013\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 3, No. 5 in F major, Hob.III:17\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 33, No. 2 in E♭ major, Hob.III:38 \"The Joke\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 64, No. 6 in E♭ major, Hob.III:64\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet Op. 71, No. 1 in C minor, Hob.III:69 “Apponyi”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eRecorded in 1933 and originally released as HMV DB12159-2165\u003cbr\u003e\nMatrix Numbers: 2B5500-I, 2B5501-I, 2B5496-II, 2B5497-II, 2B5498-II,\n2B5499-I, 2B5503-I, 2B5504-I, 2B5505-I, 2B5506-I, 2B5507-I, 2B5508-I,\n2B5509-II, 2B5510-I\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e(Duration 59'25\")\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 4 (1934) - PACM016\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in F minor, Op.20 No.5, Hob.III:35 \"Sun\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eQuartet in E flat major, Op.50 No.3, Hob.III:46 \"Prussian\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eQuartet in C major, Op. 76 No.3, Hob.III:77 “The Emperor”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eRecorded in 193\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e4 and originally released as HMV DB2398-2404\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eMatrix\nNumbers: 2EA477-II, 2EA478-II, 2EA479-II, 2EA480-II, 2EA487-I,\n2EA488-II, 2EA489-I, 2EA490-II, 2EA481-I, 2EA482-II, 2EA483-II,\n2EA484-I, 2EA485-I, 2EA486-II, \u003cbr\u003e Duration 57:35\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 5 (1935) - PACM019\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in D major, Op.20 No.4, Hob.III:34 \"Sun\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eQuartet in F major, Op.74 No.2, Hob.III:73 \"Apponyi\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eQuartet in F major, Op. 77 No.2, Hob.III:82 “Lobkowitz”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003eRecorded in 1935 and originally released as HMV DB2774-2780\u003cbr\u003eMatrix\nNumbers: 2EA2539-I, 2EA2540-I, 2EA2514-I, 2EA2542-I, 2EA2543-II,\n2EA2544-I, 2EA2545-I, 2EA2546-I, 2EA1312-II, 2EA1313-II, 2EA1314-II,\n2EA1315-II, 2EA1316-II, 2EA1317-III.\u003cbr\u003eDuration 59:57\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 6 (1936) - PACM020\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in C major, Op.1 No.6, Hob.III:6\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in E major, Op.54 No.3, Hob.III:59 \"Tost I\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in A major, Op. 55 No.1, Hob.III:60 “Tost I”\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in G major, Op.64 No.4, Hob.III:66 \"Tost II\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003eRecorded in 1936, released as HMV 78s, D.B.3115-3121\u003cbr\u003eMatrix numbers: 2EA: 4510-11 4466-67-68-69 4462-63-64-65 4506-07-08-09\u003cbr\u003eTakes: All first take recordings\u003cbr\u003eDuration 57:56\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 7 (1937) - PACM024\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in B flat major, Op.3 No.4, Hob.III:16\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in D major, Op.50 No.6, Hob.III:27 \"The Frog\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in B flat major, Op.64 No.3, Hob.III:67 “Tost II”\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in G major, Op.74 No.1, Hob.III:72 \"Apponyi\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003eRecorded in 1937, released as HMV 78s, D.B.3543-549\u003cbr\u003eMatrix numbers: 2EA: 5584-85, 5568-71, 5576-79, 5572-75\u003cbr\u003eTakes: 1,1,2,1,1,1,2,2,1,1,3,2,1,2\u003cbr\u003eDownload ID: 177481\u003cbr\u003eDuration 57:36\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHAYDN QUARTET SOCIETY Volume 8 (1938) - PACM025\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in B flat major, Op.1 No.1, Hob.III:1 \"La Chasse\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in E flat major, Op.20 No.1, Hob.III:31 \"Sun\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in B flat major, Op.55 No.3, Hob.III:62 “Tost I”\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eString Quartet in B flat major, Op.76 No.4, Hob.III:78 \"Sunrise\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003eAbbey Road Studio 3, London\u003cbr\u003eRecorded in 1938, released as HMV 78s, D.B.3768-3774\u003cbr\u003eMatrix numbers: 2EA: 7213-7222, 7246-7249\u003cbr\u003eTakes: All first takes except DB3769 side 1: take 2\u003cbr\u003eDownload ID: 184067, 388862\u003cbr\u003eDuration 58:36\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pro Arte Quartet:\u003cb\u003e\u003cbr\u003eAlphonse Onnou, \u003c\/b\u003eviolin\u003cbr\u003e\u003cb\u003eLaurent Halleux\u003c\/b\u003e, violin\u003cbr\u003e\u003cb\u003eGermain Prevost\u003c\/b\u003e, viola\u003cbr\u003e\u003cb\u003eRobert Maas\u003c\/b\u003e, cello\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover 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