{"product_id":"faure-chamber-music-1951-55-pabx019","title":"FAURÉ Chamber Music (1951-55) - PABX019","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet in E minor, Op. 121\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 2 in E minor, Op. 108\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet in E minor, Op. 121\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 2 in E minor, Op. 108\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Quintet in C minor, Op. 115\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eFAURÉ \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Quartet No. 2 in G minor, Op. 45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eRay Lev, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003epiano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDaniel Guilet, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eviolin\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eDavid Soyer, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ecello \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e Leopold Mittman, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003epiano\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eGaby Casadesus, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003epiano\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003e Guilet Quartet\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Pascal String Quartet\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Robert Masters Pianoforte Quartet\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACM059.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand note:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eGUILET QUARTET ET AL Fauré: Chamber Music Volume 1 – PACM059\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp align=\"center\"\u003e\u003cspan class=\"bodybig\"\u003e\u003cspan style=\"font-size: medium;\"\u003ePresenting Gabriel Fauré at his very finest\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan class=\"bodymid\"\u003e\u003cem\u003eFirst in a Fauré series remastered by Peter Harrison\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn Summer, 1953, the Nixa Record Company\nissued two LPs of Fauré's chamber music and this re-release has been\nsourced from an original pressing of one of those two discs (the other\nis intended for next month's release).\n\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eCopies of the discs are rare, so the\nrestorer has to work from what he has. Like many such LPs, the pressing\nquality is indifferent and the disc itself badly worn in places (by the 8\ngram 'lightweight' pickups of the time!) and with a huge amount of\nclicking and swishing which needed considerable work to minimise.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eSome residue may still be heard on critical\nlistening; but I think that the artistic performances justify the\nre-release and I'd urge anyone who isn't familiar with these musical\nby-ways to give them a try: they're pieces that are well worth getting\nto know. \u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003e- \u003cem\u003ePMH\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eGUILET QUARTET ET AL Fauré: Chamber Music, Vol. 2 (1951\/2) - PACM060\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eThe Guilet Quartet's Fauré Chamber Music\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eXR-Remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003eIn Summer, 1953, the Nixa Record Company\nissued two LPs of Fauré's chamber music and this re-release has been\nsourced from an original pressing of one of those two discs (the other\nis intended for next month's release).\u003cp class=\"body\" align=\"left\"\u003eCopies of the discs are rare, so the\nrestorer has to work from what he has. Like many such LPs, the pressing\nquality is indifferent and the disc itself badly worn in places (by the 8\ngram 'lightweight' pickups of the time!) and with a huge amount of\nclicking and swishing which needed considerable work to minimise.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eSome residue may still be heard on critical\nlistening; but I think that the artistic performances justify the\nre-release and I'd urge anyone who isn't familiar with these musical\nby-ways to give them a try: they're pieces that are well worth getting\nto know\u003c\/p\u003e\n\u003cp\u003e\n\u003cem\u003ePeter Harrison\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eLEV \u0026amp; THE PASCAL QUARTET Fauré: Chamber Music, Vol. 3 (c.1951) - PACM062\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eRay Lev joins the Pascals for Fauré's Piano Quintet\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eXR-Remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003eWhen I'm considering a recording for\nrestoration, I usually check the contemporary reviews and ratings to see\nhow it was judged at the time of its original release. In the case of\nthis pancake Nixa disc, I wonder what it was they reviewed, and on what\nequipment? For, frankly, the LP was very rough. Yet this wasn't\nmentioned. Was it just so common in 1953 as to be not worth mentioning?\u003cp\u003eFor example, the most obvious fault, not remarked on at the time, was\na strong hum: not just 50Hz or 60Hz, but both! (Either is all too\ncommon, but both? - it's the first time I've encountered this. Not\nmentioned in the reviews.)\u003c\/p\u003e\n\n\u003cp\u003eAfter double de-humming and heavy doses of the usual restoration\nmedicine (end of side 1 particularly bad), the underlying recording was\nrevealed. In all their horror were nasty shrieky strings and a piano\nswathed in cotton-wool and apparently in a different studio. Minor\nmiracles were achieved jointly by Andrew Rose and self to resolve this\nand the result, after many, many hours of work and a final touch of\nAmbient Stereo, is what you'll hear here. Amazingly a very nice\nperformance has finally been revealed, perhaps for the first time since\nit left the studio!\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003e\u003cem\u003ePeter M Harrison\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eROBERT MASTERS QUARTET Fauré: Chamber Music, Vol. 4 (1955) - PACM063\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: x-large;\"\u003e\u003cem\u003eThe Robert Masters Piano Quartet plays Fauré\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cem\u003eXR-Remastered for finest sound quality\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003eRemember the Quad 22 Control Unit from 1958? Peter\nWalker designed a truly great hi-fi unit of apparent simplicity that\nconcealed a wealth of function, particularly for getting the best\nreproduction from 78rpm discs. Push one button and you selected the disc\ninput suitable for LPs; push two and you were also selecting the\ncorrect equalization for Parlophone 78s. A complicated-looking table in\nthe manual gave the correct button settings for each record label;\nhowever it also cautioned, \"Exceptions occur, particularly when records\nare made from shared masters\".\u003cp\u003eA common delusion is that the LP era rationalised the\nvarious playback equalisations and magically all the record companies\nhad adopted the RIAA standard: end of problem. Not so. There were five\nyears of LP production before RIAA was established and during that time -\nas with 78s - anything goes. And anything went. Pick up an early Decca\nFFRR LP and ask: what equalisation should be used to replay it\ncorrectly? - and the answer, amazingly, is one of three possibles: Early\nFFRR (Pre '53), FFRR ('53-'55), RIAA ('56 onwards). And these periods\noverlapped. And that's for a major label. (I hope to return to the\nsubject of Decca eq in a later note.)\u003c\/p\u003e\n\u003cp\u003eMove now to a small label, possibly using more than one\ngeneric cutting firm each with different setups; add in the \"shared\nmasters\" comment we mentioned above from Quad; and the question of\n'correct' playback equalisation becomes impossible to answer.\u003c\/p\u003e\n\u003cp\u003eIn restoring the four LPs of Fauré's chamber music this\nproblem was particularly acute. 'A Polymusic recording' says the label\non the Nixa disc. What eq did Nixa use? No idea. Was this LP pressed\nfrom a shared master disc or a copytape master from Polymusic? Scratches\nin the runout area of the disc suggest the former - in which case the\nquestion becomes: what eq did Polymusic use? Even less idea. In such\ncases the restoration engineer is left with having to use two sensitive\nbut fallible tools - his ears - together with experience, and guesswork.\nAnd all that could be said is: hope you like the result.\u003c\/p\u003e\n\u003cp\u003eAt least, that was the situation until a couple of years\nago and the development of such techniques as Andrew Rose's XR process\nwhich - to over-simplify enormously - helps resolve equalisation\nproblems throughout the recording chain by reference to modern\nrecordings of undoubted quality. Again however, and this must be\nstressed, it is only another tool: its use has to be carefully judged,\nand it mustn't be abused. But hopefully we are now able to present you\nwith restorations from the early LP period that are, to adapt Peter\nWalker's slogan for Quad: \"a bit closer to the original sound\".\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePeter M Harrison\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand track listing:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eGUILET QUARTET ET AL Fauré: Chamber Music Volume 1 – PACM059\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cb\u003eFAURÉ \u003c\/b\u003eQuartet No. 1 for Piano and Strings in C minor, Op. 15\u003cbr\u003e\u003cb\u003eFAURÉ \u003c\/b\u003eSonata No. 2 for Cello and Piano in G minor, Op. 117\u003cbr\u003e\u003cbr\u003e\nRecorded late 1951 (?) early 1952 by Polymusic \u003cbr\u003e First issued, 1952, in USA on Polymusic 1007 \u003cbr\u003e First issued, 1953, in UK by Nixa Record Company Ltd on QLP 4007\u003cbr\u003e\nProducer and Audio Restoration Engineer: Peter Harrison\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eTotal duration: 45:22\u003cbr\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eGaby Casadesus, \u003c\/b\u003epiano\u003cb\u003e\u003cbr\u003e Members of the Guilet Quartet: \u003cbr\u003e Daniel Guilet, \u003c\/b\u003eViolin \u003cb\u003e\u003cbr\u003e William Schoen, \u003c\/b\u003eViola \u003cb\u003e\u003cbr\u003e David Soyer, \u003c\/b\u003eCello\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDavid Soyer, \u003c\/b\u003eCello \u003cb\u003e\u003cbr\u003e Leopold Mittman, \u003c\/b\u003ePiano\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eGUILET QUARTET ET AL Fauré: Chamber Music, Vol. 2 (1951\/2) - PACM060\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e\u003cb\u003eFAURÉ \u003c\/b\u003eString Quartet in E minor, Op. 121\u003cbr\u003e\u003cb\u003eFAURÉ \u003c\/b\u003eViolin Sonata No. 2 in E minor, Op. 108\u003c\/p\u003e\n\u003cdiv\u003eRecorded\nlate 1951 (?) early 1952 by Polymusic \u003cbr\u003eFirst issued, 1952, in USA on\nPolymusic 1008 \u003cbr\u003eFirst issued, 1953, in UK by Nixa Record Company Ltd on\nQLP 4008\u003cbr\u003eTotal duration: 45:43\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e\n\n\u003cbr\u003e\u003cstrong\u003eGuilet Quartet:\u003cbr\u003eDaniel Guilet, \u003c\/strong\u003eviolin\u003cstrong\u003e\u003cbr\u003eHenry Siegl, \u003c\/strong\u003eviolin\u003cstrong\u003e\u003cbr\u003eWilliam Schoen, \u003c\/strong\u003eviola\u003cstrong\u003e\u003cbr\u003eDavid Soyer, \u003c\/strong\u003ecello\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cb\u003e\u003cbr\u003eDaniel Guilet, \u003c\/b\u003eviolin\u003cb\u003e\u003cbr\u003eGaby Casadesus, \u003c\/b\u003epiano\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eLEV \u0026amp; THE PASCAL QUARTET Fauré: Chamber Music, Vol. 3 (c.1951) - PACM062\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eFAURÉ \u003c\/b\u003ePiano Quintet in C minor, Op. 115\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003eRecorded c.1951 \u003cbr\u003e First issued, 1951, in USA on Concert Hall Society CHS1093 \u003cbr\u003e First issued, 1953, in UK by Nixa Record Company Ltd on CLP 1093 \u003cbr\u003e Producer and Audio Restoration Engineer: Peter Harrison\u003cbr\u003e Additional XR equalisation and Ambient Stereo processing by Andrew Rose \u003cbr\u003eTotal duration: 30:00\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRay Lev\u003c\/b\u003e, Piano \u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThe Pascal String Quartet: \u003cbr\u003e \u003cb\u003eJaques Dumont\u003c\/b\u003e, Violin\u003cbr\u003e \u003cb\u003eMaurice Crut\u003c\/b\u003e, Violin\u003cbr\u003e \u003cb\u003eLeon Pascal\u003c\/b\u003e, Viola \u003cbr\u003e \u003cb\u003eRobert Salles\u003c\/b\u003e, Cello\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eROBERT MASTERS QUARTET Fauré: Chamber Music, Vol. 4 (1955) - PACM063\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cb\u003eFAURÉ \u003c\/b\u003ePiano Quartet No. 2 in G minor, Op. 45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cbr\u003eRecorded Spring 1955\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cdiv\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"bodysmallarial\"\u003e\u003cspan style=\"font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e First issued in the UK in 1955 by The Argo Record Company Limited on RG 56\u003cbr\u003eProducer and Audio Restoration Engineer: Peter Harrison, disk2disc\u003cbr\u003e Additional XR remastering by Andrew Rose, Pristine Audio\u003cbr\u003e Cover artwork based on a photograph of Gabriel Fauré\u003cbr\u003eTotal duration: 32:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003eThe Robert Masters Pianoforte Quartet:\u003c\/div\u003e\n\u003cp\u003e\n\u003cb\u003eRobert Masters\u003c\/b\u003e, Violin\u003cb\u003e\u003cbr\u003eNannie Jamieson\u003c\/b\u003e, Viola\u003cb\u003e\u003cbr\u003eMuriel Taylor\u003c\/b\u003e, Cello\u003cb\u003e\u003cbr\u003eKinloch Anderson\u003c\/b\u003e, 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Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine 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